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Painting --- authorship --- easel paintings [paintings by form] --- nudes [representations] --- vrouwenportretten --- Leonardo da Vinci

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Philipp Otto Runge war - neben Caspar David Friedrich - nicht nur der bedeutendste deutsche Maler der Frühromantik, sondern auch einer der vielseitigsten Künstler des 19. Jahrhunderts, "ein Individuum, wie selten geboren", wie Goethe sich über ihn äußerte. Seine Briefe, Schriften und auch kunstvollen Märchen werden in dieser kritischen Ausgabe vorgelegt und kommentiert. Die Ausgabe beginnt mit dem Briefband 1795-1803 und dem dazu gehörigen Kommentarband. Dokumentiert wird Runges Kontakt mit einer Vielzahl seiner bedeutendsten Zeitgenossen: Ludwig Tieck, Clemens Brentano, Johann Wolfgang von Goethe, Caspar David Friedrich sowie August von Klinkowström, um nur einige wenige zu nennen. Die vorliegenden Bände bieten erstmals alle Briefzeugnisse und stellen die im Autograf erhaltenen Quellen textkritisch nach Maßgabe editionswissenschaftlichen Kriterien vor. Damit ersetzt diese Edition auch die von K. F. Degner 1940 unter völkischen Vorzeichen publizierte Ausgabe Philipp Otto Runge. Briefe in der Urfassung, die aufgrund von Unstimmigkeiten und Lesefehlern die Briefe keineswegs in der buchstabengetreuen Verfassung abdruckt. Runges eigenwillige Orthografie, Zeichensetzung und Grammatik wurde beibehalten und nicht, wie in den Editionen von H. v. Maltzahn, K. Privat, H. Gärtner und P. Betthausen modernisiert oder stillschweigend korrigiert, um seinen charakteristischen, spontanen Briefstil zu dokumentieren. Skizzen wurden berücksichtigt, erstmals wurden auch Mitteilungen anderer Briefschreiber, die sich auf demselben Bogen befinden, transkribiert und aufgenommen.

Literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Art --- German literature --- Runge, Philipp Otto

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Attributing old master paintings is one of the most difficult tasks of the art historian. Moreover, the stakes can be high, especially when the painting in question might be that of a famous master. The difference in price between an authentic old master painting and a work 'in the manner of' a well-known painter can add up to several million dollars. The fingerprint of an Old Master discusses issues regarding attribution of Dutch and Flemish paintings of the seventeent-century. Rembrandt's David and Jonathan (Hermitage, St. Petersburg), de-attributed by the Rembrandt Research Project in 1989, provides an unique oppurtunity to compare seventeenth- and twentieth-century conoisseurship. An analysis of the painting based on terms of seventeenth-century art theory shows that the painting must have been successful according to contemporary standards of appreciation, that is, worthy of carrying Rembrandt's name.

Painting --- attribution --- connoisseurship --- forgeries [derivative objects] --- anno 1600-1699 --- Netherlands --- Painting, Dutch --- Painting, Flemish --- Peinture hollandaise --- Peinture flamande --- Attribution. --- Attribution --- Rembrandt Harmenszoon van Rijn, --- Authorship.

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Ce qui s'écrit ici différence marque l'étrange mouvement, l'unité irréductiblement impure d'un différer (détour, délai, délégation, division, inégalité, espacement) dont l'économie excède les ressources déclarées du logos classique. C'est ce mouvement qui donne unité aux essais ici enchaînés. Qu'ils questionnent l'écriture littéraire ou le motif structuraliste (dans les champs de la critique, des “sciences de l'homme” ou de la philosophie), que par une lecture configurante ils en appellent à Nietzsche ou à Freud, à Husserl ou à Heidegger, à Artaud, Bataille, Blanchot, Foucault, Jabès, Levinas, ils n'ont qu'un lieu d'insistance : le point d'articulation dérobée entre l'écriture et la différence. A peser sur cette articulation, ils tentent de déplacer les deux termes

#SBIB:1H60 --- Taalfilosofie --- #gsdbF --- Literature --- Theory of knowledge --- Semiotics --- Authorship --- Ecriture --- Philosophie --- Sémiologie --- Philosophy --- Philosophy. --- Art d'écrire --- Littérature --- Literature - Philosophy

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"The narrative of the artist's life and work is one of the oldest models in the Western literature of the visual arts. In Art as Existence, Gabriele Guercio investigates the metamorphosis of the artist's monograph, tracing its formal and conceptual trajectories from Vasari's sixteenth-century Lives of the Painters, Sculptors, and Architects (which provided the model and source for the genre) through its apogee in the nineteenth century and decline in the twentieth. He looks at the legacy of the life-and-work model and considers its prospects in an intellectual universe of deconstructionism, psychoanalysis, feminism, and postcolonialism. Since Vasari, the monograph has been notable for its fluidity and variety; it can be scrupulous and exact, probing and revelatory, poetic and imaginative, or any combination of these. In the nineteenth century, the monograph combined art-historical, biographical, and critical methods, and even added elements of fiction. Guercio explores some significant books that illustrate key phases in the model's evolution, including works by Gustav Friedrich Waagen, A.C. Quatremere de Quincy, Johann David Passavant, Bernard Berenson, and others. The hidden project of the artist's monograph, Guercio claims, comes from a utopian impulse; by commuting biography into art and art into biography, the life-and-work model equates art and existence, construing otherwise distinct works of an artist as chapters of a life story. Guercio calls for a contemporary reconsideration of the life-and-work model, arguing that the ultimate legacy of the artist's monograph does not lie in its established modes of writing but in its greater project and in the intimate portrait that we gain of the nature of creativity."--Publisher's website.

Aesthetics of art --- Art criticism --- Artists --- Authorship. --- History. --- Biography --- History and criticism. --- 7.01 --- Kunsttheorie ; kunstenaarsmonografieën ; evolutie van het "leven en werk" model --- Persons --- Art --- Arts --- Criticism --- Authorship --- History --- Biography&delete& --- History and criticism --- Kunst ; theorie, filosofie, esthetica --- Analysis, interpretation, appreciation --- monographs --- biographies [documents] --- art criticism --- artists [visual artists] --- Historiography. --- biographies [literary works]